FEELS, SOUNDS

My Mother Was a Karen

Years ago, I once saw a loudmouthed nonagenarian on a streetcar in Toronto who shamelessly (and very audibly) insulted every new female passenger under the age of 45 by calling her a “whore” (for no reason at all), and similarly greeted all the non-Caucasian commuters she saw with the N-word. I saw more than a few cranks and oddballs on Toronto Transit Commission vehicles during the number of years I lived in Hogtown (aspiring hip-hop artists are a dime a dozen on the subway), but that woman in particular sticks out in my memory more than most. Her overall appearance and demeanor were very reminiscent of the titular character from filmdom’s forgotten classic Throw Momma from the Train. Nobody threw her from the streetcar, though. Not even the driver, despite being well within his authority to eject her from the vehicle. In fact, most people just wrote her off as a loony old crone and ignored her. Canada is chill like that.

But I remember the way my heart sank that day, with the realization that a certain someone I knew would eventually turn into that loony old crone. My mother lived her life according to opinions (which she always had and always expressed) about how things should be, as opposed to what is. As if Nature was somehow obliged to give a damn about her opinions. There was only one right way to do things (her way, of course) and a countless number of other ways, all of which were wrong. Hence she was seldom happy and lived her life in a near-constant state of resentful disappointment.

Among her favourite things to whinge about was the manner in which contemporary Canada has deviated from the Canada of her youth. She once complained bitterly in a public place (within plain earshot of at least a few people) that there weren’t enough white faces on TV anymore. One of the most embarrassing moments of my life, bar none. But not at all the most shocking. She said shit like that in private all the time. That’s actually how she thought. Novel things unfamiliar to her fourteen-year-old self (such as an evening newscast featuring an ethnically diverse and gender-balanced team of anchors and correspondents) tended to greatly upset her.


The very essence of Karenhood is the inability to grasp this teaching.

Nonetheless, we can learn as much from the fools as we can from the sages, and my mother was a shining example of what not to do. Pretty much every waking nanosecond of her mortal existence was wasted either worrying about the future or pining for some la-la land of the past. She was never in the present. Ever. The whole concept of BE HERE NOW was completely alien to her, and it showed. She went to her (early) grave a frazzled wreck.

Not sure if that’s a bad thing or a not-as-bad-as-you-think-it-is thing, if I’m being honest. Given the timing of my mother’s passing, I can easily see how things could’ve been much worse. I just can’t picture her outlook becoming rosier at the onset of senile dementia. If anything, she’d become the extreme opposite of rosy. Am I supposed to feel bad about missing out on all that? And forgive me if this sounds crass, but I’m really struggling to find something to complain about this shiny new guilt-free and judgement-free life I’m living these days. It would be great if I could have a war-and-pestilence-free life to boot, but you can’t win ’em all.


SOUNDS

Frank Zappa Gave Great Quote

A picture I took a while back with an old-timey digital camera, of a street tribute to one of the great philosophers of the late twentieth century. Who just happened to play a mean guitar and would compose some of the most mind-blowingly complex music ever committed to vinyl.


Incidentally, this is the only known object in Toronto’s Leslieville neighbourhood that doesn’t smack of white bread culture.

The man’s been dead for almost three full decades, yet these words still resonate today. Perhaps even more so than they did when he first said them. I see their toxic fruits strewn everywhere (like piles of antivaxxer horseshit and that ridiculous QAnonsense), and realize everything Zappa ever said about the so-called Religious Right (or as I like to call them, Vanilla ISIS) has been spot on. Their sermons and rallies just look like this to me…

Before it became common knowledge that televangelists are evil clowns who obtain their nourishment by drinking childhood fears, Zappa instinctively knew it to be true.

The Journey of SILVER BROWN

The Curious Case of Elmýr Garfield

My first apartment in Toronto was literally right next door to a Buddhist temple. Every Sunday morning, I could hear the sound of the gongs coming right through my walls. Never saw the inside of that temple, though. Mostly on account of the fact that it was a Theravada sanctuary catering to the diaspora, and I don’t speak a lick of Vietnamese outside of exactly one word. But I nevertheless appreciated the vibrations of those gongs every Sunday. After spending Monday through Friday (and frequently Saturday to boot) catering to the hyper-frazzled demands of The Machine, that weekly dose of sonic medicine was a most welcome reprieve.

The day those healing vibrations stopped came when my building was sold to a new owner, and I ended up getting renovicted. The next apartment after that was something I subletted from the company I was working for at the time. I only called that place home for a mere eight months, for it was inhabited by vast insurmountable colonies of bedbugs (and fleas!) and a handful of very cranky people. One woman who lived there told me the building was haunted. She was probably right.


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I recall a foursome of geriatric men who would spend the daylight hours sitting on lounge chairs in front of the Apartment Building of the Damned, wiling away their golden years complaining loudly about things their juniors would seldom think to complain about, occasionally yelling obscenities at random passersby just for the sheer hell of it. Like a cruder version of King of the Hill. I’m not a hundred percent sure if their demeanour was merely because of the bedbug problem or something that could be chalked up to senility (it was probably a combination of the two), but this meditation on cranky old geezerhood manifested itself into what would eventually become SILVER BROWN. Its chosen guise was that of an Eccentric Mentor with a mastery of cybersorcery and certain forbidden knowledge sought out by the main characters in their quest for the Secret Ingredient.

The warlock Elmýr Garfield was a cursed character from the very beginning, but after several rewrites his curses have only multiplied. In the second or third draft I introduced the idea that the story starts off with him being dead, necessitating a cybermagickal trip to the netherworlds of the Environment to retrieve his innate isness and bring it back to the Sea of Joy to reboot it. Yet he is not so much reanimated as he is reborn. The audience is first introduced to him as a seventy-five-year-old man in the body of a seventy-five-second-old infant. An allusion to old stories of Gautama Buddha that told of him walking and talking on the day he was born. Or to Baby Herman from Who Framed Roger Rabbit. Either one works. Take your pick.



As a result of the cursed nature of his existence (or more likely, because Florys errs slightly when she casts the spell to bring him back to life), Elmýr ages very rapidly after his rebirth, advancing through all the different life stages over the course of several chapters before finally exiting the story as a withered lifeless husk. At an inopportune moment in the narrative that greatly inconveniences the protagonists. If his final wilting occurred at a more convenient time, it wouldn’t be much of a story.

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