Chapters Seventeen and Eighteen will soon be presented to the good people of Planet Earth on Twitter. A new page every day, as usual. I usually start doing this sort of thing on the seventh day of a given month (i.e. today), but this time I’m reluctant to start doing that while the Stanley Cup playoffs are still on.
The aforementioned sporting tournament is typically over long before the solstice, but this is hardly a typical year. So I tweaked the scheduling accordingly. The tweetment of these pages shall commence the morning after Lord Stanley’s Mug is hoisted. Which could be as soon as tonight*, for all I know.
* My apologies to any diehard Habs fans reading this, but your guys are as good as toast. They’ve clearly met their match with the Bolts’ powerful blue line. Tampa could replace Vasilevskiy with a three-toed sloth and there wouldn’t be any noticeable improvement to your shots on goal.
Once I run out of pages to tweet, SILVER BROWN shall be officially retired as a literary project. This site will then go through a molting phase of its life cycle. I know not what will eventually hatch out of the cocoon, but not knowing is half the fun.
I think this Jehovah guy is nothing more than a cartoon supervillain from a poorly-written Bronze Age comic book who deserves about as much credit for creating the human race as Porky Pig deserves for inventing penicillin. My apologies to the fandom, but that’s just what I think. Such a trifle of an entity is most certainly no excuse to vilify an entire segment of the population. Especially when the whole motive for encouraging homophobia is the basest and shallowest one of all — the cha-ching*. Somebody along the way (who was probably a GOP fundraiser, although I don’t know that for sure) figured out that people put more money in the collection plates when they’re fearful and angry than they do when they’re at peace.**
* Little old ladies’ bank accounts aren’t as easy to suck dry in a Zoom meeting. Hence the repeated insistence upon in-person church services in the middle of a global pandemic.
** Frank Zappa was absolutely spot on. Tax the fuck out of ’em.
I fully get that any successful† media franchise is bound to have its fair share of colourful fans. That’s just the way things roll. But there’s such a thing as overdoing it with the colourful fandom, methinks. Every Stanley Cup riot of my lifetime has invariably resulted in a busy night for the Vancouver†† Police Department. That ought to tell you something.
† Let the record show that “successful” is not necessarily synonymous with “good”. Plenty of gawd-awful things have become successful. The average person could probably name five such things off the top of their head.
††The Vancouver Canucks organization contributes millions every year to British Columbia’s provincial coffers. It’s a no-brainer that promoting any kind of bigotry would have a negative effect on their business rather than a positive one. I’m also pretty sure they don’t have any secret graveyards hidden away somewhere, unless you count the one where they bury all their dead dreams of Stanley Cup glory. Despite the boorish behaviour of some of their fans and as much as they profoundly suck ass as a team, they’re still more respectable than any church.
I initially started SILVER BROWN as an art therapy project. The main reason I put it online was to fully test its potential to be anything beyond that. It was a worthwhile exercise as an art therapy project. As was putting it online. I drank a rich soup of vibes from the droppings of the Great Bird (i.e. Twitter) and professional input from a gaggle of fellow scribes, which provided me with vital nutrients to open my third eye and see that SILVER BROWN cannot continue in its present form as I originally planned. This story needs just a pinch of reconstructive surgery.
Before I expand on that further, let me drop a parable about burritos. This is one of a handful of things I know how to cook well. Learned entirely by observation, at a burrito joint I visited almost every business day at noon back when I had a supposedly glamourous job. Said joint famously lacked a barrier obstructing the patrons’ view of the kitchen, allowing for the visual spectacle of burrito wizards working their magic behind the scenes. Who taught me (almost) everything I know. About burritos, at least.
Part of the high art of making burritos is knowing how much filling one tortilla can handle. If you try to stuff too much in a single burrito, the whole thing is bound to split at the sides and fall apart sometime during the cooking process. A fictional world vastly different from the familiar is a lot like that burrito. There’s only so much you can put on a tortilla of a hundred thousand words. I initially set out to make SILVER BROWN less grandiose than any of my previous attempts to write a novel, but still found myself trying to stuff a trilogy’s worth of filling in that tortilla. More pre-planning was required for the project, methinks. Next time I mustn’t allow myself to become so distracted with the world in which the story is set that I forget to actually tell the story.
There are also questions swirling in my mind about whether there is still a public appetite for dystopian fiction, now that the present state of human society has taken on a dystopian air. The world humanity lived in when I first started working on SILVER BROWN has since molted. Its new instar bears a closer resemblance to the Environment of my story, in that it’s a world where technology and mass-ignorance has run amok. Hence I must ask myself: would people actually pay money to read this yarn I’m working on? Part of the reason why people read novels is for the escapism. They might be reluctant to read something that hits painfully too close to home. I could be dead wrong; the jury’s still out on that one. Black Mirror has temporarily ceased production because the producers thought it would be too depressing for people to watch in light of that microscopic Cthulhu coming along and ruining everything. Yet according to hard statistics, people are watching movies like Outbreak while they’re in quarantine.
Uncertainties about a potential audience don’t justify a literary facelift as much as the story’s heroine, however. Florys MacNab was subconsciously conceived as a satirical caricature of the vapidly callous materialism exhibited by more than a few people I met back in the day when I worked in one of Canada’s wealthiest neighbourhoods. There’s certainly a place for a character of this ilk in fiction, but in retrospect it was a mistake to make her the protagonist. I’m finding it next to impossible to root for somebody who values things over people, whose entire modus operandi revolves around acquiring and flaunting status symbols and making other people jealous. If I can’t root for that somebody, it’s unlikely my audience will be able to either.
This fictional world I’ve created demands a main character who is at least somewhat flexible and adaptable, who approaches novel phenomena with a certain level of curiosity. That’s not Florys. Florys is way too narrow-minded and hardheaded to be the main character. She would work better as a secondary character. One who repeatedly complicates things for the hero, and (probably) dies in the story’s third act for dramatic effect.
I guess I shouldn’t feel bad about things not working out this time around. As a certain wise man once said…
…but at least I’ve spent enough time wallowing in that shit that new vegetation can start growing on me. I was thinking about going with the same basic plot device, but with a completely different perspective, major characters reworked and fine-tuned (except Sherman, he’s perfect the way he is). Before I start germinating anything new on my ass however, I shall disperse the last of the current yield in the summer. The final chapters are the strangest in the whole book, so of course I’m going to tweet that shit.