The Journey of SILVER BROWN

Out With The Old

Hey, it’s a new decade. Thank the Dagda. The Weenie Teenies (which I personally think is a catchier and more befitting name than the Two Thousand and Tens, so I’m just going to go with that) will probably go down in history as the worst decade humanity has seen since the 1940s. So I’m glad that’s all over with. Sure, it was a decade that saw vinyl LPs come back from the dead. That was the shit! But then there was a shitload of other shit that was as shitty as all shit. Hopefully this new decade will bring more shit that’s cool, like the aforementioned second coming of the long-playing record. May these Twenties be twenty percent as roaring as the last ones, so they don’t end as badly.


If this reminds you of someone, you’re officially not going crazy.


In this spirit of dispensing with the old and embracing the new, I’ve decided to prune a couple of characters out of SILVER BROWN entirely. There was a scene in one of the early drafts where my main character wakes up in the offices of one of the most powerful cyberwarlocks in Sector India. There, the witch Florys MacNab is approached by this warlock’s man Friday – an eight-year-old boy known only as The Kid.

The Kid grew from an intellectual seed that was planted in my brain by an Ojibwe elder from an ancient land we now call Minnesota, by way of a book he wrote I once burrowed from the library. He would tell me of a forgotten yesteryear well before there was any such thing as the United Nations Convention on the Rights of the Child, when the Ojibwe did not bestow names upon their children at birth. In those days, it was an ingrained part of the culture and tradition that a name be thought of as something one had to earn. Many kids didn’t earn those names until they were eight or nine years old. Some not even until puberty, or later. But finally doing something to earn a name was one of the most important rites of passage in a child’s life.

A few of the customs observed by the Society of Wheel Turners in SILVER BROWN invoke this bygone Ojibwe tradition to a certain extent. In the early drafts, young Wheel Turners in training were literally nameless. Hence, the reason why The Kid was just The Kid, and nothing else. I eventually had to dispense with The Kid entirely, because his sole function in the story was to reveal exhibition that had already been revealed. But the tradition he embodied lives on, albeit in a modified form. In the current draft, children born into the Society receive a totem from their council of directors when they pass a strenuous series of cybermagickal aptitude tests. The warlock of Sector India I mentioned earlier is known solely by his totem. His legal name is the one registered with SAAZMOL, which is why he doesn’t use it. He is instead addressed by his contemporaries as Lord Pukerabbit. There’s a whole explanation of the hidden meaning behind that appellation, but I won’t get into that here and now.

There was another character I had to get rid of when he ultimately proved superfluous. A utility program called Dunsmure the Bird, inspired by watching too many videos on YouTube like this:



I initially threw Dunsmure the Bird in the story to serve as a sidekick for Elmýr Garfield. In later drafts, Elmýr Garfield would gain the ability to shapeshift, his new powers reducing Dunsmure the Bird to a Jar Jar Binks – an unnecessary character that could easily be removed from the story without the story suffering any, and in fact should be removed. The bird’s jarjarbinksiness wasn’t the only reason I got rid of him, though. There’s already a character in the story who’s a talking ferret; I figured throwing in a talking bird on top of that would be laying it on a tad too thick.

The Journey of SILVER BROWN

#NaNoWriMo

This website was launched on October 28 of last year. I chose that date for two reasons. The first reason being it’s my usual shtick to unleash things upon the earth either on the seventh day of a calendar month, or on a date that corresponds with a number divisible by seven. That’s just how I roll. The second reason is that I wanted to launch the site in time for November, which among other things is National Novel Writing Month. Or NaNoWriMo (nan-oh-RHYME-oh), as it’s known for short.

The gist of NaNoWriMo is to challenge people to produce a novel of at least fifty thousand words during the month of November. For the benefit of all participants, the rules don’t state that the novel has to be riveting or particularly well-written. Authoring a complete novel of that high a calibre in thirty days or less would be a Herculean undertaking for most people, unless Green Eggs and Ham counts as a novel now and I didn’t get the memo.


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The notable lack of Nobel Prize-worthy material composed during NaNoWriMo is virtually of no concern to all involved, however. It’s not so much about producing the next Hamlet as it is about getting people engaged in the craft of creative writing, so they gain a newfound appreciation for the art. Ultimately, a newfound love of literature itself – a love always stronger and more ubiquitous than we’re ordinarily accustomed to believing it is.

Like many people, I’ve read a lot of books over the years. Not all of them I loved right away. Some were confusing as all shit on the first read, only starting to make sense upon subsequent reads. Some caused a certain churning feeling in my gut with either an absurdly improbable premise or something outright inexcusable, like purple said-bookism abuse. Some books left behind a strong Whiskey Tango Foxtrot aftertaste in my conscience that persisted years after I read the last sentence. Then there are other books that are just plain horrifying. But all in all, I don’t regret reading a single book I’ve ever read. A library is a different plane of existence. A place devoid of regret.


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