The Bullhorn of SILVER BROWN

Now Playing: Chapters Eleven & Twelve

Chapters Eleven and Twelve of SILVER BROWN are presently being cast into the Twitterverse for the reading pleasure of the good people of Planet Earth. My normal shtick is to tweet these chapters at a rate of one page a day, but I think this time around I’ll do something a little bit different and only do that for Chapter Eleven. Twelve is an offshoot of Eleven, a by-product of the many countless rewrites Eleven underwent. It consists of only two pages, and reads more like an epilogue to Eleven than a chapter in its own right. So I might just tweet Twelve in its entirety in one fell swoop as a grand finale.

These are the first chapters in the book that are narrated by any character other than Florys MacNab. Both are written from the point of view of the story’s villains. To accentuate that point, the narrative styles of each of these chapters are a pronounced departure from Florys’ characteristic vernacular. Chapter Eleven is written in epistolary form, while Twelve has more of a stream-of-consciousness vibe to it. David Wong (a.k.a. Jason Pargin, the former editor of Cracked.com) used this technique to great effect in his comic horror masterpiece John Dies at the End, which featured nefarious entities from other dimensions that were introduced to the audience through excerpts from (fictional) textbooks. Some variant of that technique was bound to find its way into my own yarn.

Machinations of the SAAZMOL organization that were only casually alluded to in the earlier chapters are portrayed in all their eldritch unglory at this point in the story. There’s a remote chance these chapters might be high-octane nightmare fuel for some people, but I would opine they’re way less frightening than the current zeitgeist. Compared to the news headlines of any given day in 2020, these chapters are about as scary as the scariest episode of My Little Pony: Friendship Is Magic.


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Writing these chapters felt like this for me. Or at least a version of this without the unfortunate transphobia. I’ll just leave it at that.

 

The Green Grass of SILVER BROWN

Those Little Extras In E-Commerce Packages

I’m currently in the midst of editing a Frankenstein of a passage in SILVER BROWN, stitched together from bits and pieces of chapters from previous drafts. Centered around a Big Reveal. One reminiscent of Neo learning the true nature of the Matrix, with respect to what kind of reaction it provoked in the protagonist. I’m personally not banking on the audience having a similar reaction. Never set out to make this book The Exorcist


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…which by the way is one of the all-time classics. If you haven’t seen this film, then you just don’t know culture.

While writing and rewriting high profundities in two different languages (English and JavaScript), I obtain at least half my needs from this here Internet thingy. At least. In the weeks that have passed since all these lockdowns started, some e-retailers have taken to throwing some much-needed extra love in their packages in the form of free merch. Like this particular publication I received with my usual shipment. A retelling of the first Harry Potter novel in comic book form, with an interesting new angle to it in which Lord Voldemort is reimagined as a police officer…


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The Journey of SILVER BROWN

Sweet N’ Sour Sixteen

J.K. Rowling once said in an interview something to the effect of Harry Potter and the Goblet of Fire being a particularly agonizing book for her to write. One of its chapters had to be rewritten a whopping thirteen times; there was a recurring plot hole that needed a baker’s dozen attempts to get rid of. Chapter Sixteen of SILVER BROWN didn’t have to go through that many rewrites, but it was pretty agonizing. For starters, it’s now Chapter Seventeen; I had to chop off its head and make the head Sixteen. The editing work this chapter and its severed head needed had more to do with cutting away superfluous elements and finding balance in the story than resolving any plot holes, though. But at long last, these chapters are complete. I might do a few more tweaks here and there to make Crocus Acadia even more unnerving than she already is, but all the main organs are functioning at least. They could survive if they hatched tomorrow. But they won’t hatch just yet. Maybe during Yuletide.

A couple of the characters I’ll be introducing to the audience at this point in the story had to undergo a few nips and tucks during the overall editing process, most notably Crocus Acadia. In the earlier drafts, she was a character clearly in the antagonistic category, one that was always quick to throw the book at Florys for every perceived transgression against the Lodge. Now she’s more of an Osiris-like entity. Not necessarily a villain. Attentively listening to all sides of an argument with equal impartiality before issuing a judgement upon a mortal soul, but never hesitant to fling you like a booger into the waiting sulfuric maw of a ravenous demon if your beating heart should tip the scales unfavourably against the feather of truth. She also sits upon a throne composed of fire – an idea which didn’t exist in the earlier drafts. Fire doesn’t hurt her. She’s a witch. A learned and experienced witch at that. You don’t get to be Vizier-Queen of any Lodge without being learned and experienced.


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