I actually halted working on the book for about a month. Mostly because I’d reached a point in the narrative where the focus shifts to the villainous faction of the story. There was a question I philosophically wrestled with during that time on whether the (impartial) third-person narrative voice should adopt a tone for this chapter that’s in any way different from earlier chapters that focused on the hero and his trusty sidekick. On the one hand I really want to convey the innermost workings of the antagonist’s head, but on the other hand I want to avoid telling the audience what to believe about him. A certain equilibrium between the two would be ideal. It’s a matter of knowing when to lean to one side and when to lean to the other. Not the easiest hike, but I’m forging ahead with it.
As a comfortable majority of us are aware, talk of a change of management at Twitter is afoot. Depending on to what extent the Muskian suckage sickens The Bird (which I anticipate to be significant, on account of our new would-be overlord’s dastardly plot to reanimate the orange monster from its eldritch crypt for no reason whatsoever other than for the evulz), I may find myself switching to another platform as the primary social tentacle of this website. Methinks the time has come to give that new kid on the block a whirl. I’ll probably get bored with TikTok after a week, but it’s nice to know it’s there as a backup in case Captain Elon’s woeful neglect of the rat problem forces me to abandon ship.
My voice isn’t the oratory chocolate of Sir David Attenborough and I probably totally goofed in putting this maiden TikTok creation together, but as an exercise in getting my hands dirty with the platform, it works.
Yodaic temples will actually be a thing in the future. Probably sooner than we realize.